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Ical Tanjung, The Figure Behind the Beautiful Cinematography of “Satan’s Slaves 2: Communion”

Recently, “Satan’s Slaves 2: Communion” has been the topic of much discussion. Discussions regarding Joko Anwar’s most recent movie seem to be commonplace, whether online or off. It has established a new trend in society, from the plot to the hypotheses and secrets behind the movie.

There is one issue, though, that some people might overlook. The character of Ical Tanjung is what makes this movie’s cinematography so compelling to witness. One of the top cinematographers in Indonesia is Joko Anwar’s partner, who is also a cinematographer.

The result? In comparison to the first movie, Satan’s Slave, which came out five years ago, Satan’s Slave 2: Communion was able to offer a distinctive image. Ical Tanjung was able to effectively examine and interpret Joko Anwar’s intentions so that the images she exhibited could effectively tell stories. This serves as a reminder from a visual perspective.

As high as the sky, Joko Anwar himself adorned the image of Ical Tanjung. Despite being one of Asia’s top cinematographers, Ical Tanjung is regarded as a highly respected individual by Joko Anwar because of his positive outlook.

The director of photography was Ical Tanjung. one of Asia’s top directors of photography. not only wise, but treat everyone with respect at all times. That is why he has a great reputation. His writings include Gundala, A Copy of My Mind, and Satan’s Slaves. Joko Anwar made this statement in a tweet from his own Twitter account.

 

 

Ical Tanjung stated that he and his crew had certainly planned every aspect of the movie “Pengabdi Setan 2: Communion” meticulously to ensure that the audience would have an exceptional watching experience, especially for shows in IMAX.

Ical Tanjung stated, “We want to give more to the viewers so that they may experience a new horror approach than ordinary films.

Ical Tanjung and Joko Anwar channeled this for the duration of the movie “Satan’s Slaves 2: Communion” using natural lights. According to rumors, this sequel’s natural tone adds more horror than its prequels.

In 2006, Ical Tanjung made his professional debut as a cinematographer while working on the movie “Heart.” He received a nomination for the Citra Cup for Best Cinematographer because of this movie. Ical gained popularity as a cinematographer for Joko Anwar’s movies over time, including “A Copy of My Mind,” “Satan’s Slaves,” and Gundala. Ical belongs to the Indonesian Cinematographers Society as well (I.C.S).

The Indonesian Film Festival sometimes features the moniker Ical Tanjung (FFI). His name is virtually usually considered for nomination in every performance. Ical Tanjung received three awards and two nominations for the position of Best Cinematography Director, according to FFI archives.

Ical Tanjung, one of Indonesia’s top directors of photography, appears in the image. Ical Tanjung, who has character and authority in each of his works, is a blessing to the Indonesian cinema industry.

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